roma57

  • Working Years
  • PROJECTS
    • PROJECT 1 Outage
    • PROJECT 2 Coke
    • PROJECT 3 Cars
    • PROJECT 4 Rings
    • PROJECT 5 Davey Jones
    • PROJECT 6 Village Highlights
    • PROJECT 7 Rainy Day Feelin'
    • PROJECT 8 Dog Days
    • PROJECT 9 2023
  • Galleries
    • Glimpsed Parallels Remix
    • Glimpsed Parallels Limbo
    • Glimpsed Parallels 2
    • Glimpsed Parallels 3
    • Glimpsed Parallels 4
    • Glimpsed Parallels 5
    • Glimpsed Parallels 6
    • Glimpsed Parallels 7
    • Glimpsed Parallels 8
    • The Biscuit Tin (Rusty)
    • The Biscuit Tin 3
    • The Biscuit Tin 4
    • The Biscuit Tin 5
    • Good Olde Days
    • Sea
  • Contact
  • Acknowledgements
  • Notice
  • Working Years
  • PROJECTS
    • PROJECT 1 Outage
    • PROJECT 2 Coke
    • PROJECT 3 Cars
    • PROJECT 4 Rings
    • PROJECT 5 Davey Jones
    • PROJECT 6 Village Highlights
    • PROJECT 7 Rainy Day Feelin'
    • PROJECT 8 Dog Days
    • PROJECT 9 2023
  • Galleries
    • Glimpsed Parallels Remix
    • Glimpsed Parallels Limbo
    • Glimpsed Parallels 2
    • Glimpsed Parallels 3
    • Glimpsed Parallels 4
    • Glimpsed Parallels 5
    • Glimpsed Parallels 6
    • Glimpsed Parallels 7
    • Glimpsed Parallels 8
    • The Biscuit Tin (Rusty)
    • The Biscuit Tin 3
    • The Biscuit Tin 4
    • The Biscuit Tin 5
    • Good Olde Days
    • Sea
  • Contact
  • Acknowledgements
  • Notice
Acknowledgements


Many people were helpful in making the life possible: my wife, our respective
parents as well as those individuals within various companies who had the faith to
give the assignments that brought the opportunities.


But, before any of that, I have to offer my thanks and appreciation to the guys and
one girl at the in-house Rolls-Royce Photo Unit in Scotland.
I went there, a raw and somewhat arrogant amateur snapper, with delusions that
I was a pretty good printer, at the very least.

It didn't take me long to disabuse myself of that illusion. It was only about five years later, when
I bade the Unit farewell in order to venture into the world of commercial photography, that
I could honestly claim expertise in the production of both black and white and colour prints.
Thank you; you taught me so much.

In commerce, I'd like to thank Ron Stuart, John Cherry, Angus Meldrum,
Colin Bennet, Sam Baxter and my only muse Fiona MacDonald; I won't forget Kay Turpie, Rona Hutchison,
Ronnie Paton, Eric Peacock, Hugh McClure, John Struthers, Hugh Hill and Allan Walls.
A special thanks to Scott Saunders in Nassau
and, always remembered, my best teacher ever: Barbara Farr.

Clients who made my better days were the Hewden-Stuart Group, Tennent Caledonian
Breweries, Glayva Liqueur, Teacher's Whisky; British Vogue, The International Wool
Secretariat (IWS), Twomax Fashions, House of Fraser; Sommerville & Milne Advertising
and the Clydesdale Bank, Barbour Threads, J&P Coats and The Scottish Design Centre.

I thank you for all of it.















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